Thursday 16 November 2017

WATCH 'THE LEGEND OF THE SEVEN GOLDEN VAMPIRES' AND #GIFS #GIFS #GIFS


#SILENTBUTDEADLY: BITE! Carmilla (Ingrid Pitt) biting Mademoiselle Perrodot (Kate O'Mara) as Emma Morton (Madeline Smith) watches on in horror from Hammer's 'The Vampire Lovers' (1970), the first film in their 'The Karnstein Trilogy'

#petercushing #thevampirelovers #hammerfilms #ingridpitt #fangs #lesbianfiction


#SILENTBUTDEADLY: #FLESHANDTHEFIENDS The Moment where after Hare (Donald Pleasance) agrees to turn King's Evidence against his former partner he gets cornered, by the locals and they burn out his eyes. Peter Cushing gives one of his best performances in this film & Donald Pleasence as William Hare. George Rose as William Burke are outstanding. How do you feel this film compares to other versions of the story of Dr Knox and Burke and Hare?

#SILENTBUTDEADLY: Ready for action! Despite its many faults, I have always found Hammer's 'The Legend Of Seven Golden Vampires' is full of great moments such as this one, with Van Helsing (Peter Cushing) and his group watching and waiting ready to battle with Golden Vampires and their undead!
Do you have a favourite moment or shot from the film?

#petercushing #vampires #kungfu #shawbrothers #hammerfilms


ABOVE: WATCH PETER CUSHING IN 'THE LEGEND OF THE SEVEN
GOLDEN VAMPIRES'!



IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  . .

Wednesday 15 November 2017

ANOTHER VERY FAMILIAR FACE FROM UK TV AND FILM SADLY LEAVES US . . .


SAD NEWS to report, actor Keith Barron has passed away at the age of 83. Keith had a long career in British television starting the 1960s. One of his best known series was the Yorkshire Television sitcom Duty Free (1984-86), also as Detective Sergeant Swift in The Odd Man. Others included Haggard & All Night Long. He was also a regular cast member on the ITV Drama Where The Heart Is.



With Peter Cushing Keith Barron as Dr. Haynes in 'Nothing But 
The Night' (1973)




KEITH BARRON guested in Dr Who, Benidorm and Randall and Hopkirk (Deceased) and many more. Keith co-starred with Peter Cushing in two films, 'Nothing But The Night' (1973) as Dr Haynes & 'At The Earths Core' (1976)





IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  . . .

SIGN ON THE DOTTED LINE, DR VICTOR! A WINK AND THREE NEW DOCTOR WHO BANNERS


#TOOCOOLTUESDAY: ABOVE IS THE LEGAL contract between Peter Cushing and Hammer film Productions, for Cushing's LAST FRANKENSTEIN film for the studio, 'Frankenstein and the Monster from Hell' (1973) Along with details regarding Cushing's daily rate of £250.00 ( that by todays rate, allowing for inflation is around £3,000 pounds sterling) there is also an allowance for Peter Cushing's accommodation at Browns Hotel in London and a supplement payment of £25 per week towards the cost of Cushing's driver!







IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  . . .

Tuesday 14 November 2017

HAPPY BIRTHDAY TO ANTHONY NELSON KEYS : JOVIAL GENT OF HAMMER FILMS AND THE LADY CALLED CORRI!


REMEMBERING: Anthony Nelson Keys, Born today November 13th 1911, sadly no longer with us. Worked as producer on many Hammer films and some of Peter Cushing's best work for the company. He started work at Hammer back in 1947, wrapping in 1969, with Frankenstein Must Be Destroyed, for which he also received a writer credit. A much loved character on and off the set, with ready smile and a joke. See how many photographs you can find without Nelson Keys laughing or kidding with the photographer..!





WE ALSO REMEMBER the BIRTHDAY of someone who sadly left us, just last year. actress, ADRIENNE CORRI . . .was born yesterday, November 13th in 1931.... With a film and television career that started in 1949 that features appearances in 'The Hell Fire Club' with Peter Cushing in 1961, 'Madhouse' with both Cushing and Vincent Price in 74, 'Clockwork Orange' under the direction of Kubrick, Dr Who at the BBC, along with 'Adam Adamant' and 'Lovejoy' ..she also found time to appear in not only 'Vampire Circus' for Hammer films, but also an episode of their 60's tv series, 'Journey Into The Unknown'.


TODAY THOUGH, I can't help smiling as I remember her performance alongside Peter and Vincent Price as the superbly, 'mad as a bucket of frogs' Faye Carstairs Flay in Amicus films, 'Madhouse' in 1974. Happy Birthday, Adrienne Corri! We remember her and miss her . .
  .



IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  . .

Monday 13 November 2017

THE 'WHO-DONE-IT WITH-BITE! : CALLUM MCKELVIE TRIES TO SOLVE THE MYSTERY OF THE 43 YEAR OLD THRILLER


SOON TO BE RELEASED IN A REMASTERED BLU RAY COLLECTION, CALLUM, TRIES TO SOLVE THE ALLURE OF THE DOG THAT WONT LIE DOWN . . .

DESPITE HAVING TACKLED  classic monsters such as Frankenstein and Dracula, it wouldn’t be until the mid-1970’s when Peter Cushing appeared in a Werewolf film. Indeed two in as many years, 1974’s The Beast Must Die! And 1975’s Legend of the Werewolf. The latter of these was a much more traditional werewolf tale, whilst the former was something of an innovative attempt to twist the tale with a murder mystery drama and Blaxploitation elements popular at the time. After all, it was only a mere three years since the release of Shaft and Blaxploitation horror films were not unusual with Blacula in 1972, its sequel Scream Blacula Scream! In 1973 and others such as Sugar Hill following later. Add to this a ‘funky’ soundtrack and a unique gimmick, the ‘Werewolf Break’, which stopped the film just before the third act to give the audience the chance to guess who the werewolf might be.




BASED ON JOHN BLISHE'S 1950 story; There Shall Be No Darkness, the script by Michael Winder sticks particularly close to the material on which it’s based, updating the period and sensibilities appropriately. Cushing play Professor Lundgren, one of several individuals invited by Calvin Lockhart’s Tom Newcliffe, to his home. Newclifffe is a millionaire who is convinced one of his guests is a werewolf and is determined to hunt them. Like the varying versions of And Then There Were None, from which the film borrows a great deal, it’s the cast that immediately draws attention. Alongside Cushing and Lockhart are a young Michael Gambon, Charles Gray, Ciaran Madden, Marlene Clark and Tom Chadbon. One of the main joys of the film is the interactions between these various characters, particular those scenes between Charles Gray’s pompous diplomat and Tom Chadborn’s psychotic artist. Anton Differing appears for a welcome few scenes as a security technician who meets a grisly end at the hands (or perhaps paws) of the beast.


IT'S A SIMPLE ENOUGH premise but one that provides an entertaining spin on the usual werewolf tales of reluctant monsters and is therefore all the more interesting for it. There are several missed opportunities in the script however, it drags a little in the middle and lacks debate on Lockhart’s desire to kill a beast that is a human being who cannot help the horrific changes that occur. Considering the sluggish scenes in the middle where Lockhart chases an unknown suspect through the woods or some of the admittedly endless scenes of conversation between the various guests in which they demonstrate the same levels of paranoia again and again, subtext such as this would of helped enliven these duller portions.



THE FILM RELIES a lot on its action and suspense, which is handled very well by director Paul Annett, who has apparently fond memories of the production. He states that due to the sorry state of the werewolf, he decided to concentrate on the small cast, an approach which works wonders.  The beast itself is admittedly somewhat lacklustre when compared to the creature that would appear a year later in Legend of the Werewolf. Here a large dog in a rather shaggy fur coat is used instead of any prosthetics. In a few scenes with dim lighting, where only glimpses of the beast are shown, it proves to be somewhat effective. However in other scenes, for example the death of Anton Differing’s character, his terrified expression as he stares at what is clearly a rather docile animal, wagging it’s tongue, are laughable If the film was remade in the 1980’s let’s say, with similar effects to John Landis’s An American Werewolf in London then doubtless a more animalistic looking werewolf would have been successful. Honestly though, they should have gone for prosthetics on an actor.




THAT'S NOT to lambast the film however. On the whole The Beast Must Die is incredibly entertaining. A wonderful cast and generally fun atmosphere on the skeleton a thriller film work immensely successfully. It would prove to be the last horror production by Amicus and whilst certainly not up to the standard of other films such as From Beyond the Grave or my own personal favourite The Skull, allowed them to bow out of the genre with dignity.

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IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA  . .
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