Thursday 4 May 2017

MAY THE FOURTH BE WITH YOU: TARKIN : SPEAKING OUT


#THROWBACKTHURSDAY: It really doesn't seem like a whole year, since last we celebrated #MAYTHEFOURTH #STARWARSDAY! But, here it is! Since last year, the biggest news for us here in our Cushing Star Wars Universe, has been the release of 'ROGUE ONE: A Star Wars Story', with inclusion of a CGI Grand Moff Tarkin in the cast, and the unprecedented interest in all things Peter Cushing! And what a mixed bucket of Ewoks, that has been. For over a year, we covered first the rumor, the clues, the hoaxes and finally, the reveal.



OUR BEST BET was always that actor Guy Henry, was in someway connected with the role and that CGI was also involved. The first story that appeared in the press, spun stories about CGI staff at Disney and Lucas film, digging around in the dusty film archives, looking for 'footage' of Peter Cushing legs and feet... which we also always suspected to be a step too far. Either way, what was archived was well worth the wait, and ROGUE ONE did indeed, come up the goods, as a more than worthy addition to the Star Wars sage. Now we wait, for 'The Last Jedi' and if whispers are to be believed, it too will be a smash! HAPPY STAR WARS DAY!


BEFORE "Rogue One: A Star Wars Story," 56-year-old English actor Guy Henry was best known for his work on the BBC and in classical theater (he was also Pius Thicknesse in "Harry Potter and the Deathly Hallows"). But now he has played one of the "Star Wars" saga's best-known characters, even though his face was not in a single frame of the movie.Henry is the man and voice behind the most talked-about character in "Rogue One": Grand Moff Tarkin, who was brought to the screen through the magic of motion-capture computer graphics after being played by Peter Cushing in 1977's "Star Wars: A New Hope." Cushing died in 1994.


THE EVENTS in "Rogue One" happen just before what we see in "A New Hope," and to connect the dots, "Rogue One" director Gareth Edwards wanted to prominently feature Tarkin because of the character's role in the main plot point of both movies: the Death Star. But to do that, he and the team at Industrial Light & Magic decided to do something unprecedented: use a living actor to basically be the skeleton of their Tarkin and then replace the actor's face with a digital version of Cushing's.

ON MAY 5TH 2015, "Rogue One" casting director Jina Jay contacted Henry's agent and asked whether the actor could meet up for lunch in London with Edwards. "They chose a very secret lunch in one of the most public media places in town, the Dean Street Townhouse, which I thought was very clever of them," Henry recently told Business Insider of getting the role. "So we talked very quietly." In fact, Henry remembers that a table beside them recognized him from a show he does on the BBC and the diners came over to say hi. But this was one of the rare moments when visibility wouldn't help an actor land a role, since it was Edwards’ job at the lunch to persuade Henry to play the CGI Tarkin. "It was a very strange thing to get your head around," Henry said about the offer. "Normally as an actor you're presented to be another character, but there's another added complication here — it's me pretending to be Peter Cushing pretending to be Grand Moff Tarkin." Before Henry agreed to the role, he suggested that Edwards do a screen test of him, just to confirm the director's hunch that he would be right for the role. Henry acted out a Tarkin scene from "A New Hope," doing his best Cushing voice with his hair slicked back and makeup to make him look older.



EDWARDS WAS CONVINCED by what he saw, as were others at Disney and Lucasfilm. But Henry, who says he was always told he sounded more like his idol Peter O'Toole than Peter Cushing, was still very nervous when he agreed to take the job. "I wasn't comfortable throughout the whole process," said Henry, who spent a month of prep constantly watching Cushing's Tarkin in "A New Hope." "I was constantly plagued by the thought that I was going to be the tall idiot from London who let the whole thing down. When they look you in the eye and say, 'This has never been done before in the history of film, but we think we can do it,' you really don't want to muck it up. For them but also Peter Cushing, who was an actor that I always admired genuinely. I didn't want to go through this slightly weird process and let him down." Henry's Tarkin scenes were shot during principal photography in the summer of 2015. During his three-week schedule, a car picked him up at 4:30 a.m. every day for the hour-long drive to London's Pinewood Studios ("Rogue One" production was under the code name "Los Alamos"). 


AFTER PUTTING on the gray Imperial officer's uniform, Henry would then go to the makeup room where he would get his hair slicked back and a transparent mask with small holes all over it on his face. Then with a black eyeliner stick, the makeup artist would mark dots through the holes onto Henry's face. A person from ILM would then put the motion-capture dots over the marks on his face. Then right before a scene was about to start, a head cam would be placed on him, which would capture every facial movement Henry made.


BEFORE EVERY TAKE, Henry would repeat a Tarkin line from "A New Hope": "You would prefer another target? A military target? Then name the system." "It would just get me into the flow of the Cushing voice," Henry said of repeating the line. Henry would then perform the Tarkin scenes on the set with the other actors. Henry said he didn't always do the Cushing voice — sometimes Edwards would ask him to do takes "as Guy." "I did as much of a Peter Cushing [voice] with the rolling Rs as I could, which was f---ing difficult," Henry said. "I'm pleased that people don't find it a jarring voice and it seems to have worked, but I'm not a mimic. I did every take every day, including reshoots, and all along I just tried to do my best."


HENRY SAID THAT he actually told Edwards and the "Rogue One" producers numerous times that he would not be offended if they wanted to bring in a voice actor who could do a better Cushing voice. Henry even insisted on doing an ADR session during post-production so he could have another pass at the dialogue. "I can't pretend that it wasn't really frightening," he said. "When I offered the option of having someone else do the voice, they said, 'We don't want that, we want your performance, we chose you because of who you are, and we want you to inhabit the performance.' For better or worse, it's my performance." Henry wrapped on his three weeks, but that turned out to just be the start of his time on "Rogue One." With constant rewrites of the film's plot during production, along with reshoots, Henry said he was called back every other month or so up until November 2016. "I would always think, 'Back to the dots, back to the fear,'" Henry said.


ONE OF HENRY'S FAVOURITE moments was when Tarkin had to be his typical authoritative self and get under the skin of Krennic. "He gets into the mood and has got all guns blazing," Henry said of Mendelsohn's process. "So there was one scene where I play Tarkin particularly imperialist behind the camera to get him worked up, which I succeeded at beyond my wildest dreams. Ben thought I was looking at a monitor behind him, but in fact I was just being dismissive and he suddenly shouted, 'Don't look into the fucking monitor, Guy!' But honestly, we got along famously." Other than a brief look at a rough assembly of a Tarkin scene while the movie was in post-production (which eased his anxiety about what the filmmakers were trying to achieve), Henry didn't see the finished CGI Tarkin until he went to the film's London premiere a few weeks ago. Having to keep his involvement in the movie a secret to everyone he knew for over a year, he finally saw the fruits of his efforts. "I didn't eat all day," Henry said of the premiere. "I went in full of white wine and my heart in my mouth, but after the first Tarkin scene, I enjoyed it. I mean, I didn't get the whole script, so I was working in the dark. I was watching a film that I knew little about. I'm proud and relieved that it has been positive."

LUCASFILM received permission from the Cushing estate to show his likeness in the movie, and Henry said he had heard that Cushing's longtime secretary had seen "Rogue One" and enjoyed the Tarkin scenes. "If it had been done as a joke or a gimmick, that would have been stupid," Henry said when asked about the ethics issue. "But in this case it was an honorable attempt to tell a story with one of the most famous characters from the 'Star Wars' saga. I thought it was worth doing. If it doesn't impinge on the real living or dead person's sensibilities, I think it's another tool in the box. But I'm not in a hurry to repeat the process — I'll tell you that."


DESPITE THE anxiety around the role, Henry has no regrets and says the experience is unlike anything else he's done in his career. He looks forward to seeing the movie again — with less white wine in his system. 'I think it was an honorable tribute to Peter Cushing, and I'm very happy for that," he said.
(January 2017)
Interview Credit: HERE



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Wednesday 3 May 2017

#SILENTBUTDEADLYWEDNESDAY: PETER CUSHING AND CAST ON THE SET OF THE VAMPIRE LOVERS


#SILENTBUTDEADLY: DEADLY BUT WITH SOUND! Here is a rare peep behind the scenes on the set of THE VAMPIRE LOVERS at Elstree studios in 1970.



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#SILENTBUTDEADLY : A COUPLE OF CRACKING GIFS REQUESTED BY COUPLES!


#SILENTBUTDEADLY: WELCOME TO OUR WEEKLY WEDNESDAY REQUESTED GALLERY:  GIFS HAVE NO AUDIO. ARE SILENT, THEY HAVE BEEN SELECTED FROM MOMENTS OF HIGH DRAMA AND HORROR IN THE WORK OF PETER CUSHING . . . . 

THIS WEEK'S GIF GALLERY has been requested by partners and couples who are fans of the work of Peter Cushing and follow our facebook fan page and website! 

#SILENTBUTDEADLY: IF CHRISTOPHER LEE IS in the cast of a movie, and he is going to die, you know, you are going to get value for your money! Lee died a thousand deaths in movies, and his death scenes total over 20 or more, ...a fact that wasn't lost on the late Sir Christopher himself...he devoted an entire chapter to the subject in his autobiography, 'Tall, Dark and Gruesome: Lord of Misrule'. I have intend over the years, to actually draw up a list of my favourite top ten Christopher Lee Deaths, but as yet, I can't settle on the titles, as there is SO MUCH to choose from! That wasn't a problem for Fang Girl and Fang Boy who sent us a message this week, and voted, Lee meeting his sticky end in Planet films, 'Night Of The Big Heat' (1966) their all time fav. Death by sucking! Next time you are in your local McDonald's treating yourself to one of their tasty THICK SHAKES, and you can't get the thing started, just call 011-666-SILICATE-SUCK-MY-SHAKE, and one will be around in a jiffy, and will get that sucker up the straw and pumping, in a jiffy!


YOU CAN SEND US YOUR REQUESTS FOR OUR WEEKLY GIF GALLERY BY EITHER MESSAGING US  AT OUR PETER CUSHING FACEBOOK FAN PAGE OR BY EMAILING YOUR REQUEST  BY EMAIL: PETERCUSHINGPCAS@GMAIL.COM


A DREADFUL RECOGNITION : PETER CUSHING as Prof Mayback Von Klaus in the New Avengers episode, 'The Eagle's Nest' (1976). Von Klaus was kidnapped and set to work resurrecting a deceased individual from the world's past. It is here that the identity of who he brought back from the dead, is revealed. A very good story, and perfect for the rebooting of The Avengers television series. That Cushing should be chosen to star in that first episode, is a nice touch. Cushing had played Paul Beresford in the 1967 'Return of the Cybernauts' episode, a popular, stand out story in the series. Mrs and Mr Peel of Doncaster, England (!!) Have asked for anything from the 'Eagle's Nest' episode. I thought, this was a would do the trick!


THE RESURRECTED: DIGGING UP THE DEAD is the stuff of nightmares, and so it is in Hammer films, 'Frankenstein and the Monster from Hell' (1974). The Baron's latest creation, goes on the rampage in the grounds of the asylum, where he is held captive, on escaping into the grounds, he goes in search of some answers, and hopes one of those answers is to be found in the asylum cemetery. 

WATCHING THIS film recently with friends, we touched on how the creature is shown in a light of great sympathy in his scenes. Much time is given to the exploring of the impact suffered by the resurrected character, who becomes the Baron's latest project. Dave Prowse has never got recognition for the role he played as the Creature in this film. It's one thing to try and emote pathos for such a pathetic creature, it's another trying to do some with a couple of pounds of latex rubber on your face an body. Many on watching can't get passed the somewhat clumsy arrangement of the make up and costume, and for them, that completely distracts and spoils the film. Personally, I forgave the short coming of the budget and make up years ago, and take much pleasure from the performances of Cushing, Shane Briant, Madeline Smith, Prowse and the assembled 'top draw' cameos, seen by many as the weakest in the series, in my humble, it ranks with the all-time best. Mr Robin and Terry Maggs, hold this opinion too, and requested this shot specifically....Yesterday was the anniversary of the LONDON OPENING of this film, May 2nd 1972, even though the film was made TWO YEARS PREVIOUSLY in 1974! Sadly, it didn't perform well. Do you think the years have been kinder to this film??



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#TOOCOOLTUESDAY: BEHIND THE SCENES AS THE HAMMER PARTNERSHIP BOWS OUT


#TOOCOOLTUESDAY : Carrying on from our 'Satanic Rites' posts yesterday and prompted by several requests for more info on, this the last Christopher Lee / Peter Cushing Hammer Dracula film, we thought it would be interesting, to dig through our files and see what we could come up with, at short notice. Quite a bit, it turns out! So, here is a whip around the set at Elstree studios, with some rare images and the under pinning story of, Cushing and Lee's last stand off, as Vampire Hunter and the Lord of the Undead, Dracula.





ON NOVEMBER 13TH 1972, Peter Cushing began work  for Hammer films, on what would be , the last time he and Christopher Lee would lock horns, as Dracula and Van Helsing. In 'The Satanic Rites of Dracula' Cushing would be playing Lorrimer Van Helsing again, continuing the time-line from earlier in the year, when he had returned to fight the Undead Count in, Dracula AD 1972. During the shooting 'Satanic Rites' would be known to inquiring press and trade papers as 'Dracula is Dead and Well and Living In London', which needless to say, made Christopher Lee's eyebrows rise so high, as to permanently stick to to any castle ceiling. Well known for his less than enthusiastic opinion on the last four Hammer Dracula films, after Satanic was made and on release, Lee publically stated that the film was a non-event'.



PETER CUSHING'S FEE was £6,000, plus his accommodation at his favorite 'Brown's Hotel' in Mayfair, London. On top of this was a fee of £25 for his driver. Alan Gibson, barely out of his seat on directing and editing duties on Dracula AD 1972, returned. Michael Cole as Inspector Murray also returned, unfortunately Stephanie Beacham was unavailable to repeat her role as Jessica Van Helsing, so the role was taken by Joanna Lumley. There was also a reunion for Cushing with both Freddie Jones- Frankenstein Must Be Destroyed and William Franklyn - Fury At Smugglers Bay.



IN THE SATANIC RITES OF DRACULA, Van Helsing is on call once again following a lead from Inspector Murray, when several well established figures are found to be involved in a black mass at a well heeled country estate called Pelham House. It turns out, one of the magic sect is an old friend of van Helsing's, a Nobel-prize winning bio chemist by the name of Professor Julian Keeley (Freddie Jones). Van Helsing is on the trail and visits Keeley, to find him terrified, exhausted and hysterical. On enqueuing as to his work, which has clearly pushed over the edge with pressure, Keeley reveals he has developed an 'accelerated strain of bacillus petis - the bubonic plague! 



SOON AFTER THIS the supernatural element of the plot kicks in, as Murray and Jessica stumble upon a nest of vampire girls in the cellar at Pelham House, and the feverish work that Keeley has been burning the night oil preparing has been sponsored by a reclusive tycoon called, D. D. Denham



IN A KEY SCENE Van Helsing meets and confronts Denham, and exposes him as none other than Dracula! After a clever bit of business, with the Count, Van Helsing is bundled off to Pelham House. Here on the 23rd day of the 11th month, the Sabat of the Undead, Dracula will release the deadly plague and fulfill the Biblical prophecy of Armageddon.


CUSHING'S SCREEN TIME as with Dracula AD 1972 is limited, but what there is, has been carefully managed and distributed to provide the story with Hammer high points of drama and suspense. There is a superb exchange between Cushing and the damaged and babbling, cow - faced Julian Keeley, played in the key that only Freddie Jones can play, and frighteningly play well. Prof Keeley is totally under Dracula's power, prompting lines like, 'Evil and violence are the only two measures that hold any power. And nothing is too vile, nothing too dreadful'. Keeley drools. 'You need to feel the thrill of disgust, the beauty of obscenity' 



AFTER VAN HELSING'S, laboured and obvious, deciphering of the 'secret' behind Alucard's surname in Dracula AD 1972, Cushing's check list of anti vampire precautions and lore, is kept to a bare minium, although the items that can repel Dracula have now added a new twist and and one epic addition. The stand off with Denham and Van Helsing is one of the key points in the whole film, and as Cushing draws the pistol loaded with the silver bullet, you feel he means it! Lee looks powerful and majestically attractive. It is to Lee credit that at no time does his performance reveal even a hint, of his disillusion with the role.



IT IS CUSHING who gets the perhaps the best line in the film when facing William Franklyn's disbelieving  Colonel  Torrence, who asks Van Helsing if they are dealing with 'hobgoblins, witches and things that go bump in the night'. 'Hobgoblins are fantasy creatures of the nursery. As for witches they certainly exist, although 90 per cent of them are charlatans. Things DO go bump in the night. Quite often!'


AGAIN CUSHING  was responsible for rewriting Van Helsing's lines. One line he was particularity bothered by was when Van Helsing says that the vampire lives in mortal dread of silver. 'This bothers me,' he wrote on the script 'because Dracula wears a ring of silver!', but the reference stayed in the script, unchanged.


CUSHING CLIPPED a biblical quotation from a newspaper and pasted it onto his script. It read, 'Be not overcome of evil, but overcome evil with good. Romans XII, 21. 





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Tuesday 2 May 2017

#MONSTERMONDAY : D.D. DENHAM MEETS VAN HELSING


#MONSTERMONDAY: Mr D.D. Denham. Was there ever a more frightening business man? Hmmm, maybe 😉 A vampire Count, taking down mankind with a deadly plague. I happen to really like 'The Satanic Rites of Dracula', for me it makes the evolution of the Hammer character all the more interesting...and the fact that the family Van Helsing are still on his tail and cramping his plans and style, makes me smile.




HE IS THIS Monday's Monster, the author of hell and damnation, Dracula's 'nom de plume'... D. D. Denham 😉 Worthy of the Monster Monday Crown? Tell us what you think . . .

ABOVE Highlights from The Satanic Rites of Dracula starring Peter Cushing Christopher Lee Joanna Lumley, Michael Coles and William Franklyn



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Monday 1 May 2017

HAPPY BIRTHDAY TO THE LOVELY LUMLEY!


TODAY MARKS THE BIRTHDAY of a very special B'day girl, Joanna Lumley! She appeared as Peter Cushing's granddaughter, in quick bit of recasting for Hammer in The Satanic Rites of Dracula (1973) and also appeared with Cushing in The Eagle's Nest the first of the new series 'The New Avengers in 1976. The first episode established the new team, Gareth Hunt as Mike Gambit, Joanna Lumley as Purdey and Patrick Macnee as John Steed.


LUMLEY'S SECTION OF 'THE NEW AVENGERS' TITLE SEQUENCE!


Peter Cushing, Derek Farr, Joanna Lumley and Gareth Hunt in 'The Eagle's Nest' episode one of 'The New Avengers' 1976 



ABOVE: An interesting and rare peep at both Peter Cushing and Joanna Lumley on set, during the making of 'The Satanic Rites of Dracula' !


 



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