Showing posts with label new release. Show all posts
Showing posts with label new release. Show all posts

Thursday 23 February 2017

ROGUE ONE BLU RAY DVD AND 3D CONTENTS REVEALED : TRAILER : CASES ART WORK


NEWS: ROGUE ONE BLU RAY CONTENTS REVEALED AND TRAILER! And the line up of the contents sound good too! Can't wait to own this one. What do YOU think of the contents???


THE STAR WARS stand-alone has earned more than $1 billion at the box office. Disney has revealed that Rogue One will hit Digital HD on March 24 and Blu-ray on April 4th. There are a very large helping of bonus features, but a few of the more intriguing ones include "Epilogue: The Story Continues," which is billed as the cast and crew looking forward to the Star Wars tales to come, and "Rogue Connections," which looks at the film's Easter eggs.

AS WE HOPED, there also is a featurette examining the visual effects that went into resurrecting Peter Cushing's Grand Moff Tarkin and brought back a young Princess Leia (The late Carrie Fisher). Rogue One earned more than $1 billion worldwide at the box office, including $528.8 million in the U.S. The second Star Wars stand-alone movie, about a young Han Solo, will be released in May 2018.


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Wednesday 2 December 2015

CONGRATULATIONS TO OUR AMICUS VAULT OF HORRORS DOCUMENTARY WINNERS


Congratulations to the winners of our very popular competition to win copies of Donald Fearney's 'Amicus Vault of Horrors: The Amicus Story' documentary. The question we asked was 'In Amicus films, 'Tales From The Crypt', Peter Cushing plays Arthur Grimsdyke, husband of the departed Mrs Grimsdyke. What was Mrs Grimsdyke's FULL NAME. The ANSWER we were looking for was MARY HELEN GRIMSDYKE. Many, Many of you got this one right including, Sean Corrigan, Chris Hammer, Will Stewart, Barry Chambers, Oliver Arkinstall, Jim Player, John Leggett, Paul Maguire, Shar Misha Wilson, Nick Colbourne, Stephen Alexander, Paul Chadwick, Adam Symons, Jason Scalise, Mark Jay, Jospeha Kalsbeek, Ted Johnson, Jim McDonald, Andrew Davenport, Tara Duffin, Simon Hopewell, James Sweeny, Penny Dreadful, Scott Clark, Andy Winward...and many more. 

A BIG Thank you to everyone who took the time to enter and support our competition. I wish we had more copies to give away! It's a terrific documentary, a real must for any fan of Amicus films. I learnt so much watching it. If you would like to grab yourself a copy, you'll find full details elsewhere on this page and at our website. Also, don't despair if you weren't a winner this time round... Christmas is coming, it's a time of GIVING and as always..we'll be GIVING you the chance to win LOADS of Cushing goodies leading up to the festive season!

You can read our FULL REVIEW with SCREEN CAPS of Donald Fearney's 'Amicus Vault of Horrors : The Amicus Story' :HERE 


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Thursday 16 April 2015

NEWS: LIMITED STEEL BOOK BLU RAY 'DR TERRORS HOUSE OF HORRORS' FROM ODEON


NEWS: Odeon Entertainment have announced their release of Amicus films 'DR TERROR'S HOUSE OF HORRORS' as LIMITED EDITION blu ray. Expected release date is September 7th 2015. No news of extras as yet, but the announcement of this long awaited Cushing favourite coming to blu ray for the first time, is sure to make a lot of us very happy!


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Monday 19 August 2013

THE BARON REBOOTED: THE EVIL OF FRANKENSTEIN : HAMMER FILMS 1964


CAST:
Peter Cushing (Baron Frankenstein), Peter Woodthorpe (Zoltan), Sandor Eles (Hans), Kiwi Kingston (The Monster), Katy Wild (Rena)

PRODUCTION:
Director – Freddie Francis, Screenplay – John Elder [Anthony Hinds], Producer – Anthony Hinds, Photography – John Wilcox, Music – Don Banks, Special Effects – Les Bowie, Makeup – Roy Ashton, Art Direction – Don Mingaye. Production Company – Hammer.


SYNOPSIS:
Forced to leave town because of their experiments, Frankenstein and Hans return to Frankenstein’s hometown Karlstad and set up laboratory in the abandoned Frankenstein chateau. Frankenstein then finds his original creation frozen inside a glacier and restores it to life. Only it will not respond to his commands. And so Frankenstein comes up with the idea of obtaining the services of Zoltan, a disreputable carnival hypnotist, to hypnotize the monster into obeying him. Zoltan is successful but has less than scientific interests at heart. With the monster responding only to his commands, Zoltan uses it to rob and take revenge upon the town authorities.


COMMENTARY:
General opinion holds The Evil of Frankenstein, the third of Hammer’s Frankenstein films, to be one of the duds of the series. One is at a loss to understand why. I, to the contrary, hold The Evil of Frankenstein to be one of the best of the series. With the preceding two entries, The Curse of Frankenstein (1957) and The Revenge of Frankenstein (1958), Hammer had kept the same essential creative team – director Terence Fisher, screenwriter Jimmy Sangster and star Peter Cushing – in place. For The Evil of Frankenstein, Hammer producer Anthony Hinds replaced Sangster on script, while Freddie Francis inherited the director’s chair. Freddie Francis was an up and coming director who had worked as an award-winning cinematographer in the previous decade, had made his genre debut with Vengeance/The Brain (1962), followed with a couple of Hammer’s psycho-thrillers, Paranoiac (1962) and Nightmare (1963), and then attained some success with the first of Hammer rival Amicus’s anthology films Dr Terror’s House of Horrors (1964) just prior to this. Francis, whose output to the Anglo-horror cycle has been underrated, would go on to become its next most prolific director to Fisher. (See below for Freddie Francis’s other films).


It is not clear why The Evil of Frankenstein is almost universally regarded as such a dog in the Hammer pantheon. Just look at the opening scenes that hit one with the fervid intensity of something out of a Hieronymous Bosch nightmare brought to life – a little girl sees a body being stolen from a hut in the forest in the middle of the night and calls a priest. The body is taken to Frankenstein who removes the heart before the paling body snatcher, dismissing his queasiness with a curt, “He won’t need it anymore,” before the priest bursts in, cursing Frankenstein’s abominable experiments and smashing the lab equipment. It’s a sequence lit with such a feverishly eerie intensity that it attains a genuinely nightmare atmosphere of dread chill. Nothing else in the film quite manages to match it. Certainly, there are a number of images littered throughout that have a lingering memorability – the deaf-mute beggar girl and her strange relationship with the monster; the monster found buried in the side of the glacier; and one especially memorable scene where the monster gets up and begins to agonizingly shuffle around the lab while Frankenstein looks on, coldly clinically taking notes.


The Evil of Frankenstein presents some confusion to the continuity of the Hammer Frankenstein series. For some reason, Freddie Francis conducts a flashback that offers a potted retelling all the essentials of The Curse of Frankenstein anew. However, this makes changes to continuity – Frankenstein now appears to have merely been driven out of town, not executed. Where the events of The Revenge of Frankenstein fit in becomes somewhat confusing – the Hans character is carried over from Revenge, but Frankenstein’s new body and his escape from the gallows is forgotten about. It’s a puzzle as to why the film creates the flashback – some of this is to set up plot points for later on – although without much rewriting this could all have been made to carry over from Revenge. What tended to lose many people was the addition of the Zoltan character, which takes the story considerably away from the Frankenstein mythos. Indeed, you could almost see this as Hammer’s attempt to craft their own variant on The Cabinet of Dr Caligari (1919).


With The Curse of Frankenstein, Hammer did not have the copyright to use the Jack Pierce designs for the Boris Karloff monster makeup from Frankenstein (1931) and so Phil Leakey came up with his own original designs. Apparently Universal has relaxed their copyright restrictions by the time of The Evil of Frankenstein and the makeup on Kiwi Kingston’s monster is closely modelled on the Pierce designs, the only time the Hammer Frankenstein’s came close to resembling the Universal originals. Production designer Don Mingaye and special effects man Les Bowie collaborate to come up with not one but two of the series very best creation sequences, with lightning bolts and generator coils crashing in the best Kenneth Strickfaden tradition. And on the whole, The Evil of Frankenstein is a Hammer Frankenstein entry that is well worth re-evaluation. 


The other Hammer Frankenstein films are:– The Curse of Frankenstein (1957), The Revenge of Frankenstein (1958), Frankenstein Created Woman (1967), Frankenstein Must Be Destroyed (1969), The Horror of Frankenstein (1970) and Frankenstein and the Monster from Hell (1973).


Freddie Francis’s other genre films are:- Vengeance/The Brain (1962), Paranoiac (1962), Nightmare (1963), Dr Terror’s House of Horrors (1964), Hysteria (1965), The Skull (1965), The Psychopath (1966), The Deadly Bees (1967), They Came from Beyond Space (1967), Torture Garden (1967), Dracula Has Risen from the Grave (1968), Mumsy, Nanny, Sonny and Girly (1969), Trog (1970), The Vampire Happening (1971), Tales from the Crypt (1972), Tales That Witness Madness (1972), Craze (1973), The Creeping Flesh (1973), Legend of the Werewolf (1974), Son of Dracula (1974), The Ghoul (1975), The Doctor and the Devils (1985) and Dark Tower (1987).


Review: Richard Scheib
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