Showing posts with label channel. Show all posts
Showing posts with label channel. Show all posts

Tuesday 3 April 2018

LOST IN THE FOG! MOMENT OF TERROR MONDAY : PETER CUSHING


#MOMENTOFTERROR MONDAY! ONE OUR MOST POPULAR uploads on our PCAS YOU TUBE CHANNEL is any uploads from the Peter Cushing Tyburn film 'THE GHOUL' considering how unpopular the film appears to have been for so many years, I find it typical of how FACEBOOK works and well this website and YOUTUBE works. So often, over the many years of managing the PCAS FACEBOOK FAN PAGE, an often vague and really quite unsupported opinion was posted by a member of the public AGAINST a certain Hammer film or indeed CUSHING film. Within a few hours, that opinion would influence so many other posts and comments, that if challenged would go very quiet. Happily, the once negative Facebook tide about this film slowly started to change direction too in the last two years, before we parted ways with Facebook last month.


PERSONALLY, I'VE FOUND if you look down the 92 films in Peter Cushing's filmography, and look for roles the like of Dr Lawrence in THE GHOUL you won't find many. . . Cushing played many evil characters, whose reputation was either formed by other appearances in past productions like Frankenstein. The likes of roles like Sir John Rowan in 'Corruption' and Dr Nararoff in 'The Gorgon' too . . were motivated by the progress of medicine. The Ghoul's Dr Lawrence is different. In this scene, where we first meet Lawrence, we see a man who is cautious, with good reason, and helpful . . with intentions. What makes his performance so interesting and entertaining also is, for the first time, Cushing also brought in emotional factors from his own personal life. It presents us with a much more credible character. Crushed by grief and driven by a most horrendous secret. 



WHAT HELPS here too is, every cast member is very good too. John Hurt's Tom Rawling's is every females nightmare. Creepy, lusty and dangerous. The despite Rawling's totally unattractive and frightening drive, the fatal physical horror and terror will be cranked up and is really yet to come. Here in this five minute clip . . we see the traps set, the lies shared and what appears to be the charity of a new friend... become many moments of terror . . .


Friday 16 June 2017

#FRANKENSTEINFRIDAY: HAND TINTED CURSE OF THE BANDAGES AND NEW FOR SATURDAYS!


#FRANKENSTEINFRIDAY: Here's a request for Gail Bridgeman who has asked us to repost our tinted 10 x 8 publicity still of Peter Cushing from 'The Curse of Frankenstein' she wrote, 'I saw a lovely colour photograph of Peter on your page a few weeks ago, I should have copied it when I saw it, but I thought I would go back and find it later. Guess what? Finding things on facebook is HARD! Would you repost it please? Many thanks and keep up the great work, Gail'





 NEW FOR SATURDAYS!


EVERY SATURDAY


PCAS YOUTUBE CHANNEL LIVE NOW


EVERY SUNDAY




If you LIKE what you find posted here . . Please visit us at our daily themed posts at our PCAS FACEBOOK FAN PAGE and help Keep The Memory Alive!

The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA.  

Thursday 9 February 2017

A TRIPLE BILL OF 60'S CUSHING 'DRAMA DRAMA DRAMA'


THREE SIXTIES CUSHING GOODIES . . . ready to watch. Right Now at our YOUTUBE CHANNEL HERE. . .OR BELOW



THE NAKED EDGE is a 1961 thriller film starring Gary Cooper, Deborah Kerr with a co starring role by Peter Cushing. The movie was a British-American co-production distributed by United Artists, directed by Michael Anderson and produced by George Glass and Walter Seltzer, with Marlon Brando Sr. as executive producer. The screenplay was by Joseph Stefano and Max Ehrlich, the music score by William Alwyn and the cinematography by Erwin Hillier and Tony White. The production design was by Carmen Dillon. The film was shot in London and at Elstree Studios, Borehamwood, Hertfordshire, and was Gary Cooper's last film.


CASH ON DEMAND is a firm favorite  with Cushing fans and another from the selection of dramas that Peter Cushing made during the early 60's. It's a great watch, with a fine two-hander performance from Cushing and Morell. Yes, it does have a Christmas angle, but this one can be watched any time of the year. To hi-jack a certain phrase . . . 'A rogue IS'NT just for Christmas!'


'IF A BRITISH FILM opens with a horse-drawn hearse in a Bavarian town and features a few of corpse exhumations, then you won’t be surprised to see Peter Cushing and a couple of Night of the Demon (1957) veterans in the cast list. In fact, you’d be forgiven for assuming The Man Who Finally Died is a hoary old Brit-horror. But actually, it isn’t. Then again, maybe it is; there’s more horror here than our imagination can easily conjure!' : 'The Man Who Finally Died' Starburst Magazine


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Sunday 19 June 2016

FRIENDS TO THE END : CUSHING AND LEE CANDID CLIPS


FOLLOWING UP from the great Christopher Lee interview we posted yesterday... here is a great colour transparency of the two chaps in their prime... and their final meeting in 1994....Peter Cushing and Christopher Lee.



YOU CAN FIND OUT MORE about the films of Peter Cushing and Christopher Lee from our extensive series entitled, 'A TALENT TO TERRIFY' THE 22 FILMS OF PETER CUSHING AND CHRISTOPHER LEE. a SEVEN PART feature stuffed with stills and rare pics! The feature takes you through all twenty two films starring Cushing and Lee, right up until their final meeting and Cushing passing in 1994. All parts contain a LINK to the next part of the series....



ABOVE PETER CUSHING AND CHRISTOPHER LEE chat during their last opportunity to work and meet together in 1994. This is just one of a series of candid clips from this hour long conversation. You'll find MORE clips at our PCAS YOUTUBE CHANNEL 


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