Showing posts with label aliens. Show all posts
Showing posts with label aliens. Show all posts

Sunday 29 April 2018

CALLUM MCKELVIE: PART ONE OF DOUBLE FEATURE ON SCI FI AND HORROR : ISLANDS OF TERROR AND HEAT!


WHEN ONE THINKS OF PETER CUSHING'S  Science Fiction output, what usually springs to mind? Star Wars and the two Dr Who movies are the most obvious candidates. Aside from that the choices are somewhat limited. Horror Express (1973) and Biggles (1986) contain ostensibly science fiction elements (the monster being an alien in Express and the time travel plot in Biggles) but their feet are firmly rooted in other genres. Scream and Scream Again (1969) is another obvious candidate but sadly it has to be the film in which Cushing is the MOST wasted, barely appearing at all. 


THAT LEAVE JUST The Abominable Snowman (1957) and the films involved in this two-part feature; Island of Terror and Night of the Big Heat. This last pair are not only a sample of Cushing’s relatively small science-fiction output, their also two of famed Hammer Director, Terrence Fisher's four contributions to the genre (along with Four Sided Triangle (1953) and The Earth Dies Screaming (1964).




BOTH FILMS WERE MADE by the short-lived ‘Planet Films’ and share many of the same cast and crew. Both also belong to that curious, somewhat forgotten form of British sci-fi, pioneered by the likes of John Wyndham and Nigel Kneale. Namely, they feature small isolated intrinsically ‘British’ communities menaced by mysterious creatures. Night in particular sees much of its action take place in the local pub, a well-worn trend in British Science-Fiction films. However they’ll be more on that film next week, this time I’m tackling it’s predecessor- Island of Terror.


THE PLOT INVOLVES a cancer research establishment off the coast of Ireland where the locals are turning up dead. With the local Doctor having very little idea as to what is causing the mysterious deaths, enter Dr Brian Stanley (Peter Cushing), Dr David West (Edward Judd) and the wealthy jet-setter Toni Maerill (Carole Gray). The Scientists soon discover that creatures they dub ‘Silicates’ are loose on the island, created accidentally by the experiments. Bone sucking creatures, they multiply at an alarming rate and soon endanger the entirety of the Islands population…


OF COURSE THERE IS ONE MAJOR difference between the two films. Namely Cushing’s role. In Island of Terror, he’s an integral part of the film and one of the three main characters. Not only that but his character is given some genuinely interesting moments, for example a hero loosing his hand (or receiving any other sort of lasting damage) isn’t something we really see in a Cushing film. However, it defiantly works here and manages to ramp the tension up significantly, after all if one of our three leads can have his hand chopped off, why can’t one (or all of them) die? It’s an interesting tactic and Fisher doesn’t shy away from showing the whole thing. The effect might be a little cheesy, but the intent is there and it still works as a shocking moment. 


IN HEAT, CUSHING is given a substantially smaller role and essentially plays a victim- an interesting position to see him in at this point in his career. His character is friendly and affable, but that’s all. Cushing lays on the charm HARD and it certainly works when he reaches his demise, a scene which is easily the highlight of the film and one that is thick with tension throughout. However it’s clear which role is superior and it’s a shame the Planet Films team didn’t consider a direct follow up, re-using the character of Dr Stanley.

 
THE SILICATES THEMSELVES ARE . . . oddly effective. For the first portion of the film Fisher decides, wisely, to keep them off the screen. This builds the feeling of a menace that can be anywhere and strike at any time. Wonderfully, this isn’t just atmosphere for atmosphere’s sake and is actually used to provide genuine shocks (for example the aforementioned sequence involving Cushing's hand) when one appears out of nowhere. 



WHEN THEY ARE EVENTUALLY REVEALED When they are eventually revealed, the design is one that despite it’s cheapness, works wonderfully to compliment the films visual style and has a unique charm about it. One has to give the team credit as well for avoiding the tired cliché of a man in a suit and attempting something that’s a little more unusual, resulting in a striking (if admittedly not always convincing) design. 



THE CREATURE'S SLOWNESS doesn’t make them any less threatening and indeed helps in the slow menace that makes the film so effective. One rather spectacular sequence with the creatures features one on a glass skylight, as it smashes through and drops onto a hapless victim below.
 

ONE TRULY WONDERFUL SEQUENCE, occurs in the films climax (spoilers ahead be warned) in which, trapped with the creatures advancing, Edward Judd prepares to shoot Toni in order to save her from death by silicate. It’s a surprisingly dark moment for a film of this nature, all the more so given the nature of her character and how she came to be on the island. For a character that’s so innocent and outgoing, this fate seems incredibly troubling.


TO SHOOT TERI OR NOT???

INDEED ONE OF the enduring appeals of Island of Terror, is that what starts as an enjoyable 60’s sci-fi adventure- becomes progressively darker. The opening sequences in which we meet our characters, then see them journey to the island are far lighter in the tone, than the latter half of the film. Fisher allows his audience to let their guard down and then strikes when their at their most vulnerable.





ISLAND OF TERROR, really is something of a gem in Cushing’s output and for my money stands as his best Sci-Fi feature alongside The Abominable Snowman. This film may not have the intelligence of that earlier classic, but it has genuinely shocking moments and an atmosphere that oozes dread and menace. The question is, does Night of the Big Heat match it’s predecessor?
 

I’ll be finding out next week, so PLEASE JOIN US!
If you have any comments, suggestions or feedback about this or ANY of my features here at PCAS you can contact me HERE at spookycallum58@gmail.com


REMEMBER! IF YOU LIKE what you see here at our website, you'll  love our daily themed posts at our PCAS FACEBOOK FAN PAGE.  Just click that blue LINK and click LIKE when you get there, and help us . . Keep The Memory Alive!. The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA

Wednesday 28 June 2017

#SILENTBUTDEADLY: MORE REQUESTED SILENT GIFS: WITH TALK OF FRIED EGGS STAKES AND STOLEN CASH!


#SILENTBUTDEADLYWEDNESDAY! FOR ANYONE READING this from the UK, why does this #GIF remind me of so many Dad's lighting fireworks on 'BONFIRE NIGHT'?! Peter Cushing here as Dr Brian Stanley, in that great little classic 'ISLAND OF TERROR' (1966). I think there are two things, apart from the terrific casting, that make this film, a cut above the other mini budget sci fi films that the UK turned out in the 60's. ONE, Terence Fisher's tight direction with Thelma Connell's editing..she did some excellent work with films like, A Dandy in Aspic in 1968, The Virgin Soldiers in 69 and Only Two Can Play with Peter Sellers in 1962. She also edited Peter's 'Dr Terror's House of Horrors' in 1965!....and TWO the deadly tentacled Silicates! 'Night of the Big Heat' the other sci fi film made after 'Island' with Fisher directing, also starred Peter Cushing, once again trapped on an island, but the cause of the disruption and the deadly heat, was a bit of a let down. When revealed, the creature resembled a fried egg, with a light  bulb inside!


I HAVE A HUNCH that Bill Robert's company, SHAWCRAFT who made many props and models for the film and movie industry, may have been behind the actual building and creation of the Silicates for 'Island of Terror'. SHAWCRAFT also made the Daleks that were featured in both of Cushing 'Doctor Who and the Dalek' films and a similar 'bog-type-monster' that was briefly seen in the Film 'Dr Who and the Daleks'. If anyone knows for sure, please let me know, it's one of those annoying bits of trivia that keeps me awake a night! This #GIF was requested by Brad Haynes UK, who says, 'I wish there had been a sequel to 'Island of Terror'. For me, as a kid, the Silicates were really frightening, I think they should have brought them back to fight another day. Maybe even turn up in a BBC Dr Who episode?' WHAT DO YOU THINK?


#SILENTBUTDEADLYWEDNESDAY! AN INTERESTING CROSS-OVER here in this #GIF requested by Tilly The Cat Lover of Texas! It's not just vampires that get staked in Hammer films, and if Peter Cushing is in the scene, one would expect, he would be doing the staking! It's Peter Woodthorpe as the evil hypnotist, Zolton, who get the pointy end of this interesting plot device in Hammer films, 'The Evil of Frankenstein' (1964).



PETER WOODTHORPE'S slimy and grimy double dealing, crook angers Kiwi Kingston's brutish 'monster' one time too many, and his hypo-control of Frankenstein's creation, for once fails him, with horrible results. Peter Cushing almost looks annoyed that he missed out on the deed! 'The Evil of Frankenstein' turned many of the 'Hammer-Frankenstein' conventions on their heads, making a less predictable story, that borrowed much from the earlier, Universal Frankenstein films. Cushing's Baron, just for once, seems sad and almost defeated, giving his performance a lovely melancholy air, the sets and laboratory look very impressive, but time and corporate meddling resulted in a sometimes less than convincing monster make up . . . 


#SILENTBUTDEADLY: WHOEVER AT HAMMER FILMS thought of casting Peter Cushing and Andre Morell together as Sherlock Holmes and Dr Watson, should have been given a pay raise, because the results on screen were magic. But what resulted in them appearing again in a little dramatic, low budget thriller two years later, they should have been awarded a medal! 'Cash On Demand' produced in 1961 for the princely sum of just £37,000 (2009 estimate) has surely brought a handsome return on that investment. For many years, it turned up as a staple of Sunday afternoon tv matinees in the UK and since the arrival of home cinema and the web, it has probably shaken off it's once proud Hammer fan claim of, 'Hammer films little known masterpiece!'. 'Cash On Demand' is in some ways,  a reworking of Charles Dickens "A Christmas Carol", and casts Peter Cushing as a cold, austere bank manager, a nagging petty tyrant to his staff, and Andre Morell as a cunning thief who one day turns up at the bank, and sends the prim Cushing into a tail-spin. The plot twists and turns, as Morell piles on the pressure.


MORE ON CASH ON DEMAND IN OUR FEATURE : HERE!


'CASH ON DEMAND' started life as a television play in the THEATRE 70 series, when it was titled, 'The Gold Inside'. Both actors Andre Morell and Richard Vernon reprised their roles for the big screen, director Quentin Lawrence followed too. And the casting? One would like to think that the bods at Hammer were considering the best of players for their drama, but I would think it was probably more down to chance and economics. Had Cushing and Morell's agents asked for a few quid more in their negotiations, we would have been robbed of two fine performances and a very entertaining film.


#SILENTBUTDEADLYWEDNESDAY' YOU WOULD think after all the story dissecting, plot analyzing and discussion that yesterday's posting of Vincent Price's Dr Browning as our #MONSTERMONDAY post prompted, I would be closer to understanding exactly what the story of 'SCREAM AND SCREAM AGAIN'  (1970) was all about?? Sadly no. However, what I do understand and appreciate of the film is, it certainly provides us with some top notch fight sequences, bizarre visuals ...and the slowest car chase in cinematic history! Ah well, you can't have it all. This #GIF requested by Lita Doohlan is a cracker though! Marshall Jone's Konratz gets to grips with Price's Dr Browning in the operating theatre...and even though having just the ONE HAND... don't ask.. with his super strength depleted, he still puts up an encouraging fight! 
 

IT'S ALSO WORTH REMEMBERING HERE,  it's thanks to producer Milton Subotsky's 'accounting skills, that Scream and Scream Again' does give us the opportunity to see the names of Lee, Cushing AND Price in the rolling credits, even if all three didn't get the chance to appear together on screen. One theory that Peter Cushing was cast late in the day, could well be the reason. Had the fact that Cushing was planned to join the cast, I am sure script writer Christopher Wicking would have made the most of the opportunity and wrote them in together maybe?  As it is, here is Marshall and Price wrestling for ever locked in a #GIF cycle. Nice blood drip that....!



If you LIKE what you find posted here . . Please visit us at our daily themed posts at our PCAS FACEBOOK FAN PAGE and help Keep The Memory Alive!
The Peter Cushing Appreciation Society website, facebook fan page and youtube channel are managed, edited and written by Marcus Brooks, PCAS coordinator since 1979. PCAS is based in the UK and USA and posts are made from both countries and
cross several time zones. 

Monday 19 October 2015

WIN TWILIGHT TIME BLU RAY : SCREAM AND SCREAM AGAIN : QUICKY COMPETITIONS NEXT WEEK!

EVERYDAY NEXT WEEK : DON'T MISS OUT

Kind of a horror movie, kind of an espionage film, and in some sense a piece of science fiction, Scream and Scream Again (1970) features turns by three icons of the horror genre: Vincent Price, Christopher Lee, and Peter Cushing.  All are involved in a wild “plot” connecting Great Britain to some unnamed totalitarian state where torture, murder, and out-of-control “experiments” are the order of the day. Directed by Gordon Hessler from a screenplay by Christopher Wicking, with cinematography by the worthy John Coquillon.


Starring: Vincent Price, Christopher Lee, Peter Cushing, Judy Huxtable, Alfred Marks, Michael Gothard. Directed By: Gordon Hessler.Written By: Christopher Wicking. Score By: David Whitaker.


Video: 1080p High Definition / 1.85:1 / Color
Audio: English 1.0 DTS-HD MA
Subtitles: English SDH
Theatrical Release: 1970
Runtime: 94 Minutes


Rating: R (USA) X (UK) (Some Violence and Brief Nudity)
Region Code: Region Free (A/B/C)
Special Features: Isolated Score Track / Audio Commentary with Film Historians David Del Valle and Tim Sullivan / Gentleman Gothic: Gordon Hessler at AIP / An Interview with Uta Levka / Still Gallery / Radio Spot / Original Theatrical Trailer.


Don't Miss It And Miss Out!



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Tuesday 8 September 2015

NEWS: TWILIGHT TIME RELEASES SCREAM AND SCREAM AGAIN BLU RAY IN U.S.


NEWS: TWILIGHT TIME RELEASES SCREAM AND SCREAM AGAIN ON BLU RAY IN U.S : Amicus' only film to feature Peter Cushing, Vincent Price and Christopher Lee gets a Pre-order date of Wednesday, September 30th at 4 pm EST. Release Date: October 13th, 2015. REGION FREE.


Some very nice Special Features include: Isolated Score Track / Audio Commentary with Film Historians David Del Valle and Tim Sullivan / Gentleman Gothic: Gordon Hessler at AIP / An Interview with Uta Levka / Still Gallery / Radio Spot / Original Theatrical Trailer.


SYNOPSIS AND QUICK CRITIQUE: A killer is stalking women in London nightclubs and drinking their blood; a jogger wakes up in a hospital bed to find his limbs amputated one by one; and a ruthless psychopath seizes power in a totalitarian Eastern European state. Bewildering and exhilarating by turns, Hessler's adaptation of Peter Saxon's novel The Disorientated Man is an ambitious attempt to drag classic horror stars (Price, Lee, Cushing) and themes (Frankenstein, vampires) into a modern Swinging London of grooving dolly-birds, mauve silk shirts and political paranoia.


It's not entirely successful: the film's obsession with human partition, seen in the limb-lopped jogger, the vampiric Keith's torn-off hand and a freezer full of body parts, has its parallels in a narrative that is so fragmented as to be a near-incoherent patchwork of scenes that fail to make the most of their horror stars (Cushing's role is a cameo, and Lee and Price only meet for a brief confrontation at the climax) or the collision of styles ranging from generation-gap movie through mad science to '60s super-sleuth - as though John le Carré, his mind buzzing with topical events (Gary Powers's spy plane) and ambient fears (organ transplants, cyborg technology), had rewritten Frankenstein as a tribute to Bava's Diabolik (1968). 


Our Full review and Full COLOUR STILLS Gallery : HERE 

But, as Hessler avoids static camera set-ups in favour of hand-held cameras and rapid edits, even if the film is finally little more than a collection of dissociated set pieces, they're so bizarre and Adrenalin-charged that Scream remains enormously entertaining, trading on such extraordinary sequences as cyborg vampire Keith (Michael Gothard in a wonderful Austin Powers turn - "lovely mover", one of the habitués of the Busted Pot observes as Gothard shimmies to the sound of the Amen Corner) being chased around south London by police and tearing off his hand to escape, all fueled by a jazz score that kicks into high gear at the slightest provocation.


Part Two of our The Amicus Films Of Peter Cushing
features an in depth look at SCREAM AND SCREAM AGAIN
Click : HERE 

CLICK : HERE 
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